The Art of Performance
An
Activity Based Workshop
©
2003
Kim Acuna
Who
should participate?
Singers, Songwriters,
Instrumentalists, Poets, D.Js, Public Speakers, etc. Anyone
whose art/skill will benefit from increased confidence, communication,
awareness, honesty, sincerity, and an enhanced relationship with their
audience and with their art.
What
will participants walk away with?
§
A sense of how any performer (regardless of style, level, experience)
can delve deeper into the emotional aspect of their piece and improve
their performance dramatically.
§
Knowing that the application of a few very basic principals can free
up an individuals performance improving their creativity, keeping
their performance fresh, and has the potential to impact many other
areas of their life.
§
How to get out of your own way, overcoming fears, barriers,
and other things that keep us from what we are already capable of.
§
Our art can be fun.
§
How to best utilize what we already know and have available to us
right now.
§
Honesty, sincerity, and risk = Growth.
Topics
to be covered:
§
Identifying your audience
§
Interpretation of your piece
§
Anatomy of your piece
§
Expression
§
Emotion & emotional congruency
§
Focus
§
Risk Taking
§
Interacting with your audience
§
Rehearsing
§
Keeping it fresh
§
Techniques for studio & live application
§
Exercises
§
And more
How
will this Workshop Meet These Goals?
§
Participants will be introduced to basic skills and concepts that
will positively impact their performance art.
§
Participants will identify one thing about their performance that
they would like to change, adapt, achieve, or learn.
§
Artists will be introduced to a series of exercises and techniques
that they can incorporate into their rehearsal and performance routine.
§
Each participant is asked do his or her part to create a safe group
environment; Developing a kind, patient, secure, and constructive
atmosphere, which is key to the success of this course.
§
Each participant will perform one piece during the workshop.
§
Your peers and the Instructor will be the audience. You will be encouraged
to incorporate principals learned in the workshop while performing.
Your peers will use their experience and the information gained in
this course to constructively comment on your performance and their
observations of the Audience/Performer relationship that you have
established.
§
Individually we will address the biggest issue(s) that would promote
the most growth for the participant. Each performer will have approximately
10-20 minutes, which includes their initial performance, feedback,
and subsequent performances that incorporate the feedback, suggestions,
and changes.
§
The key to working in a peer group is that we will see others experiencing
similar, if not the same, challenges, changes, feedback, and lessons.
§
Observing how others incorporate what they learn into their performance
lets us see how others might approach things differently, and gives
us a different perspective on how we might apply it to our own skills.
§
The repetition of hearing
the same things said in a different way to different persons, gives
you the chance to hear things you might not have heard when you were
the focus of the groups feedback.
§
You will receive a booklet that provides an in-depth look at the principles
introduced in the short course including exercises to reinforce information
discovered in course.
Course Tracks
3-Hour Short Course:
Maximum attendance 10 persons
§
Participants are introduced to each other and the course objectives.
§
A brief overview of the course booklet, touching on the principles
and exercises that are used throughout this course.
§
We address any issues the performer has identifies as wanting to improve
or finds problematic.
§
Participants perform their piece to the peer group.
§
In a supportive and positive manner the instructor will discusses
and suggests style and technical variations, based on the course goals
and the participants goals, as well as their abilities and level of
comfort. . (10-20 minutes per performer)
5-Hour Extended Course
Maximum attendance 10 persons
§
Participants are taken through the course booklet and topics are thoroughly
discussed and demonstrated.
§
A broader range of topics are covered and participants actually go
into the performance activities with more insight and a better understanding
of the principles that would normally only be briefly touched upon
in the short course.
§
Exercises will be reviewed,
demonstrated and practiced by participants.
§
All Short Course activities will be covered.
§
We will address any issues that you identify as wanting to improve
or find problematic.
§
Participants perform their piece to the peer group.
§
In a supportive and positive manor the instructor discusses and suggests,
style and technical variations, based on the course goals and the
participants goals, as well as their abilities and level of comfort.
(10-20 minutes per performer)
§
Wrap up and Summary.
2 Day Course
Maximum
attendance for 2 Day Course 14 persons
This is two-day course,
6-8 hours per day.
§
All activities from the Extended Course will be covered
§
Participants will have multiple opportunities to perform and incorporate
the skills they have learned.
§
Participants will have more
time to experiment with what they have learned.
§
Group exercises will be conducted for a more in depth focus on the
anatomy and interpretation of their pieces.
§
Each Topic will be covered more intensely allowing for longer discussions,
active participation, demonstration, and review of the how each individual
can use these principals to meet their own needs.
Participant Expectations & Requirements: